There always seem to be a lot of Christmas picture books in our local library, but that’s possibly because parents only get them out during December, whereas they get other books out at any time of year. This has made the number of Christmas books seem, to me, who has been plodding through the alphabet all year, like a disproportionate number.
Sometimes Christmas picture books are produced for their own value; sometimes they’re put out as one of a hit series. For parents who don’t want any more emphasis on Santa Claus than already exists, there are Christmas books which don’t feature any of that. You may have to look a bit harder for those ones, however.
One thing is true about Christmas Stories: The story has to stand up in its own right, even if you were to take the Christmassy part away.
There are also a number of cliched storylines in Christmas stories:
1. One character helps another character to discover the True Meaning of Christmas.
2. The Night Before Christmas has probably been covered, especially in the app store. In order to justify yet another illustrated version, it had better offer something pretty special!
3. I feel there should be three, but can’t think of a third right now!
DREAM SNOW BY ERIC CARLE

What I really like about this book is that you don’t work out the old man is Santa until the end. Well, you might if you saw the picture of Santa on the front cover, and if you’ve got more than two points of IQ to rub together, but I didn’t.
I also like Eric Carle’s art – he’s like the Quentin Blake of picture books – an unmistakable style. This book has pages of acetate which add a layer of snow to the illustrations. There’s also a button which makes a tune on the last page, and I think this library book has had some love, because the button is pretty worn out.
(There’s a picture of Eric Carle posing with his friend who posed for him. Anyone else think those guys look like identical twins? I’ve never seen two non-related men look so much alike.)
GIVE HIM MY HEART BY CHRISTINA ROsSETTI, ILLUSTRATED BY DEBI GLIORI

This book takes the first and last verse from a Christian poem about the nativity scene. It’s a satisfying poem, and I’m not surprised it’s been revived via a picture book. This particular picture book isn’t all about the nativity scene – that is certainly the backdrop, but a non-Christian family could still get its message. Instead of Jesus, a little girl’s grandfather is the recipient of love. The message is that if you don’t have anything else to give someone, then your love is enough.
Rossetti’s full poem is here.
WENCESLAS BY GERALDINE MCCAUGHREAN

The story of Wenceslas may or may not be familiar to a young reader, but it shouldn’t matter because Geraldine McCaughrean has a real gift for retelling history in beautiful, original language. The language in this story is poetic, sparse and would be just as easily at home in literature for adults. I’d wager Geraldine McCaughrean doesn’t believe in simplifying vocabulary for the sake of young readers. In this story she includes words such as ‘postern gate’, ‘seven-league boots’ and ‘broached the brandy’.
If I have one gripe about this particular edition – again – it’s the layout and the choice to overlay light bodied font onto textured background. But for mastery of language, storytelling and rhythm, you can’t go wrong with this author, no matter what age she’s writing for.
OLIVIA HELPS WITH CHRISTMAS BY IAN FALCONER

Sure enough, books which inspired TV series are better than TV series which led to books. This is one good example.
Olivia is a pig. All the characters are pigs. Olivia is an especially enthusiastic little six year old girl in every other respect. In this story the reader is taken through a winter-time Christmas with Olivia’s family, with Olivia trying to help (enthusiastically) and managing, quite often, to bugger things up. Still, the results are humorous: she cuts off the top of the main tree to make a little one for the table centrepiece, for instance.
The illustrations are a limited palette of desaturated pictures with red and green touches. The drawings are combined with photographs.
ALIENS LOVE PANTA CLAUS BY CLAIRE FREEMAN

Just when you thought Christmas books had been done to death… In come the aliens.
This book is part of a series which includes Aliens Love Underpants and Aliens In Underpants Save The World. Our local librarian has chosen some of these underpants stories for storytime, and the children all colored in a shape of underpants afterwards. I’m not sure what makes underpants a hit, but I guess there is a developmental stage during which underpants are fascinating. Or perhaps it’s not the underpants concept itself, but realisation of the fact that (almost) everybody wears underpants, and therefore we’re all equal. I do remember having these weird thoughts as a kid – it often involved the Queen of England. Our father would tell us to mind our table manners, on the pretext that the Queen could drop in at any moment, so she featured quite large in our house. I tried to imagine the Queen blowing her nose, sneezing, burping, Lord forbid farting, and also wearing underpants.
I’ve never been able to manage that last one.
EMILY AND THE BIG BAD BUNYIP BY JACKIE FRENCH

At first sight this doesn’t look like a Christmas story, which is probably why there’s a sticker on the front cover of this one which reads ‘Christmas Story’. Therein lies the problem with Christmas stories set authentically in Australia – there’s no snow, no reindeer and, well there’s no Santa either, which isn’t a huge issue except the old fellow would die of heat exhaustion if he gadded about Down Under in that big red suit of his on a typical summer’s night.
The bunyip in this story is portrayed as a Grinch-like character who needs to be persuaded to participate in Christmas. The other characters are all cheerful and comical, and in the end they do manage to cheer him up by presenting him with a horribly noisy tuba. Bunyips, apparently, love to make horrible noise. That’s the wonderful thing about made-up creatures. A picture book author can paint them as she pleases.
ALL SAFE IN THE STABLE BY MIG HOLDER

This one’s a bit different because it’s told in close third person point of view from the donkey that carries Mary to the stable for Jesus’ birth, and even features a rat, who eats their food.
The finale is a page with folds out to four times the size of the book, with a picture of baby Jesus, and presumably to hammer home the importance of this particular baby, which the rat has questioned throughout. I’m not sure about the wisdom of doing these fold out flappy pages with books. Admittedly, this is a library book so there’s little wonder it’s covered in sellotape, but this also means some of the writing is upside down on the page and the book needs to be turned upside down in order to read it. This could have easily been avoided with more thoughtful book design. Or perhaps kids don’t mind having to manipulate books this way and that in order to read them, not nearly so much as I do.
CHRISTMAS WITH YOU BY VICTORIA BALL

This is a Christmas book more suited to families who celebrate the day without the Christianity. It’s a poem about enjoying the day together, playing in the snow, then ending up safely tucked into bed. The characters are a family of mice living in a nice, warm looking house. Of course, you don’t really notice they’re mice.
This is a ‘going to bed Christmas book’, in which a little mouse has much (secular) fun on Christmas day, and is tucked into bed by its parent.
The illustrations are wonderfully warm, with the atmosphere of an indoor fire burning all around. I’m not sure why but I love illustrations of mice sitting in front of the hearth. (Actually, they don’t have to be mice, in particular.) I love them even though in December in Australia you really don’t want to be sitting anywhere near a fire.
On the subject of mice, do illustrators choose to depict furry animals because humans are harder to keep consistent across different illustrations, or are there other reasons, I wonder, to do with avoiding Anglocentricity. After all, if the mice look like no human you’ve ever seen, then that mice could be you.
PRISCILLA AND THE GREAT SANTA SEARCH BY NATHANIEL HOBBIE

This is a rhyming text, perhaps inspired by Twas The Night Before Christmas. Except the rhythm in the progeny isn’t quite as lyrical. At times this book suffers for the sake of telling a rather complex story in rhyming verse. I think when that happens you might as well write prose.
This is the children’s book equivalent of chick-lit. I don’t mean to say this as a value judgement; it is what it is. Two girls go in search of Santa (a big adventure) and spend their time taking photos of each other (a necessary plot device, but still…) There are the pretty costumes, the mirrors, the binge slash celebratory eating, the BFF confidences, attention to hair styling and an overall lighthearted tone which one might find equally in chick-lit for adults.
MERRY CHRISTMAS MATTY MOUSE BY NANCY WALKER-GUYE

Mice must like Christmas! I suppose in the Northern Hemisphere, mice come inside for the winter season. Perhaps mice have traditionally been a part of many Christmases, with an abundance of food and therefore crumbs?
In this story, a little mouse (maybe 5 human years old) has made biscuits at school and can’t wait to give them to his mother. But on the way home, he encounters a number of different animals who are each very hungry. By the time he gets home he has only one biscuit left. This makes him very sad. His mother reassures him that it’s the thought and the experience of sharing that counts, and together they share the one last biscuit.
I think this is a classic case of a story which should have finished one incident earlier. (Always easier to pick in OTHER people’s stories, isn’t it!) If the story had ended with mother and son enjoying the biscuit together, the sweetness of the sentiment would have been preserved, but it’s as if the author thought this would be too sad for a young audience to cope with, so the next day Matty and his mother bake dozens of tasty biscuits and invite all their other friends around to share them. This ending is as valid as the other, naturally, but I think there’s nothing wrong with letting children believe that there are people (and animals) in the world who don’t get enough to eat. This is the world situation. Also, a storyline about making do and making the most of limited resources is somewhat undermined in the final scene of excess. No doubt this is something many of us get sick of round about Christmas time each year.
THE WATCHMAKER WHO SAVED CHRISTMAS BY BRUCE WHATLEY

The title of this one had me wondering if this was another ‘X discovers the true meaning of Christmas’ plots, but it’s not. Rather, it’s one of those Christmas books which helps to preserve the illusion of a benevolent Santa delivering presents to good boys and girls all over the world.
The story achieves this by having Santa come in to a watchmaker’s shop to have his watch fixed. It’s an incredibly intricate watch of the like the watchmaker has never seen. The only way he can get it to work is by using the hearing aid of the little boy who lives upstairs. I found this quite an odd plot twist, and we never do find out what the (young and single) mother has to say about the fact that her son is now effectively deaf, and that she’ll have to shell out for a new one.
Naturally, the old man in need of the watch turns out to be Santa Claus, and the watch is magic — allowing Santa to take his sweet time flying around the world delivering presents, eating cookies and drinking milk. He is accompanied by the watchmaker, who even has time to sew on the eye of somebody’s teddy bear.
The way I feel about Santa is this: it’s magical for very young children to believe in Santa, but once they’re old enough to start wondering about the logistics, e.g. How on earth does he get around the entire world in a single night? then it’s time for parents to come clean. This book seems designed to artificially prolong the wilful blindness of older children who would like to believe in Santa but find that they can’t — not 100% — and if you’re the parent of such a child, and would like to keep the illusion alive — this sort of Christmas book may prove useful. However, you’d also run the risk of starting your child wondering, even if they hadn’t before!
Most children’s books which feature Santa revel in a time of yore, when toys were wooden and simple — no plastic wrapped, licensed, heavily promoted toys will be found in such books (and for good reason). This story seems a heap an extra layer of scorn upon things which are modern:
The days before Christmas had been quiet for the Watchmaker. Watches with faces and hands had been replaced by digital displays and flashing numbers. The Watchmaker felt sad. There was only the instant — 11:43 or 2:36 — rather than seventeen minutes before twelve or thirty-six minutes past two, which gave you a feeling of time past, present and future.
This sentiment reminds me of that book by Lane Smith ‘It’s a Book’, in which it’s suggested that those who embrace new technology are missing out, or mentally deficient in some way. As a creator of storybook apps for kids, you can probably imagine how I feel about that.
SILENT NIGHT BY SANDY TURNER

This is a wonderfully original story, again about Santa’s visit.
The title manages to be both literal and ironic: The book features no words… other than the barking and yapping of a family terrier, who can sense Santa’s arrival even though none of the rest of the household know what on earth he’s barking about.
Although our library calls this an ‘easy reader’ (because there’s really only dog words, after all), the cartoon-style line drawings of this book require the observation skills and patience of an older child in order to figure out what has happened.
I would highly recommend this book, and I won’t spoil the plot for you.
CHRISTMAS EVE MAGIC BY LUCIE PAPINEAU

Well, if you’re going to write a ‘grump/sad sack discovers the true meaning of Christmas’ kind of story, best to do it as this author has done: unabashedly, with ‘Inspired by Charles Dickens’ A Christmas Carol’ across the front cover.
This story might appeal to children better than the Dickens story, since it features animals, and a pig who keep his toys locked in a safe. Since children may not have any money, their toys are their most precious objects, so this book is kind of like ‘Dickens for the young, modern child’.
This story is beautifully illustrated by Stephane Poulin, in that style I love (acrylic on canvas?), with animals standing around tables eating delicious looking food by candlelight.